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BIO: Cr0w4y (pronounced “Croway”) is an emerging EDM artist, DJ, and producer from Norway known for blending tech house, afro house, bass house, techno, and UK garage into groove-driven, club-ready tracks. With a background in piano and years of musical exploration, he returned to production in 2024 with a renewed creative focus. Each release reflects his passion for powerful beats and melodic energy. Influenced by life experiences and emotions, Cr0w4y crafts music that transforms feelings into sound, telling stories that words alone cannot express.

The name Cr0w4y has a double meaning. The “crow” represents intelligence, resilience, and a darker, mysterious energy that strongly connects with my music. The “04” refers to 2004, the year I first started making music as a teenager. It marks the beginning of my journey and reminds me where it all started. Together, the name reflects both my roots and the path I’ve taken to get here.

Are you in your 30s, 40s, or 50s?

I’m in my 30s. I bring both experience and perspective into my music now, shaped by everything I’ve lived through along the way.

Are you working and in the music scene too?

Yes. I balance my work life with music, but electronic music has always been a core part of who I am. Even during breaks, music never really left me; it was always there in some form.

What is your DJ background?

I started with music in my teenage years, learning and experimenting out of pure passion. After an accident when I was younger, I was forced to take a long break and, unfortunately, lost all of my music. That period changed my path, but it never killed my connection to music. Coming back later gave me a new perspective and a stronger drive than before.

How long have you been DJing?

My journey with DJing goes back many years, starting in my teens, with a long pause in between. Today, I’m fully focused again, rebuilding, refining my sound, and pushing forward with renewed motivation.

What first got you into DJing?

Electronic music always had a strong emotional impact on me. The idea of shaping energy, controlling mood, and creating a journey for people on the dance floor is what first pulled me towards DJing.

What got you into DJing electronic music?

Electronic music offers unlimited creative freedom. It allows you to express darkness, emotion, power, and atmosphere all at once. That depth is what keeps me inspired and is the foundation of my sound today.

Why EDM?

EDM gives me the freedom to express emotion, energy, and atmosphere without limits. It can be dark, uplifting, aggressive, or deeply emotional—and sometimes all at once. That flexibility is what keeps me inspired and connected to the music. EDM also creates a strong connection between the DJ and the crowd, which is something I value a lot.

What is your favorite DJ controller and software that you currently use?

I currently use the Pioneer OPUS-QUADas my main controller and Ableton Live for music production. I like the Opus-Quad because it gives me a clear, fluid workflow and enough flexibility to focus on creativity rather than technical limitations. For production, Ableton fits perfectly with how I think musically. It’s powerful, intuitive, and lets me experiment freely as I build my sound from the ground up.

How did you learn to DJ?

I learned by doing. A lot of trial and error, listening carefully, practicing transitions, and studying how tracks are structured. Over time, experience taught me more than anything else, especially learning what works on a dance floor versus what only works in theory.

How do you read the room and choose which songs to play?

Reading the room is about observation and feeling the energy. I pay attention to how people move, react, and connect to the music. Sometimes it’s about pushing the crowd forward, other times it’s about pulling back and letting them breathe. Track selection becomes a conversation between me and the audience.

What’s one DJ tip you wish you'd known when you first started learning to DJ? 

Don’t rush the process. Focus on music selection and timing more than technical tricks. Perfect transitions mean nothing if the track choice doesn’t connect with the crowd. Trust your ears, stay patient, and let your style develop naturally.

I asked DJ Parrot the same question: Have you seen that widely circulated Boiler Room set where a DJ’s transition causes two tracks to clash because they’re off-beat?

What do you think about?

Yes, I’ve seen it, and honestly, it wasn’t nice to watch or listen to. Not because of the mistake itself, but because I know exactly how that feels. Every DJ who has played live long enough has had a moment like that or something close to it. When something goes wrong in front of a crowd, it can feel incredibly uncomfortable and embarrassing, especially when it’s captured on video and shared everywhere.

What people often forget is that DJing is a live performance. Mistakes happen. What really matters is how you recover, stay composed, and keep the energy moving forward.

If you’ve ever found yourself in a similar situation during a set, how did you handle it?

I’ve had moments where things didn’t go as planned, and in those situations, the key is not to panic. Staying calm, fixing the issue quickly, and moving on is crucial. The crowd usually follows your confidence—if you don’t make a big deal out of it, they often won’t either.

What’s the best way for someone new to start learning how to DJ?

Start with the basics and take your time. Learn phrasing, beatmatching, and track structure before focusing on advanced tricks. Practice consistently, listen to your mixes back, and don’t be afraid of making mistakes—they’re part of the learning process. Most importantly, play music you genuinely love, because that passion always translates to the crowd.

Who or what were your biggest musical influences growing up?

One of my biggest influences growing up was Tiësto. In the early days, his music had a huge impact on how I understood melody, atmosphere, and long, emotional journeys in electronic music. That era shaped my appreciation for tracks that aren’t just functional for the dance floor, but also tell a story.

My inspiration comes from a mix of emotions, nightlife, and personal experiences. Nightlife provides the raw energy, but emotions give the music depth. Visuals, dark aesthetics, and mood also play an important role—they help shape the atmosphere I want to create, both in my sets and in my productions.

Are there any genres or artists outside of EDM that influence your style?

Yes. I’m influenced by music outside of EDM as well, especially genres that focus on mood, tension, and emotion. Elements from darker or more atmospheric music often find their way into my sound, even if subconsciously. Those influences help keep my music from feeling one-dimensional.

What makes you different from that of other EDM artists?

My journey hasn’t been linear. Starting young, taking a long break due to life-changing circumstances, and then returning with a new perspective has shaped how I approach music today. I focus less on trends and more on authenticity, emotion, and long-term growth.

What do you want people to feel and do when they listen to your music?

I want people to feel connected to the music, to the moment, and to themselves. Whether that means dancing, closing their eyes, or simply getting lost in the sound, the goal is to create an experience that stays with them beyond the track or the set.   

What makes the music you are currently producing different from that of other EDM artists?

The music I’m producing now reflects experience, patience, and intention. It’s less about chasing hype and more about building atmosphere, emotion, and energy in a way that feels honest. Every track is part of a bigger picture, not just a standalone moment.

What Genre are you currently producing?

I’m currently producing tech house, bass house, afro house, techno, and UK garage. Each genre brings something different creatively, but they all allow me to explore groove, rhythm, and atmosphere in my own way.

How would you describe your sound to someone hearing you for the first time?

I’d describe my sound as groove-driven and atmospheric, with a strong focus on rhythm and emotion. It’s music designed to move people physically while still creating a mood you can get lost in, whether on a dance floor or through headphones.

What strategies are you using to grow your audience and make sure your music stands out (make sure your music gets heard)?

Right now, my main focus is on consistency and quality. I’m taking the time to refine my sound, release music that truly represents me, and build a solid foundation rather than rushing for attention. I believe that staying authentic, engaging with listeners genuinely, and letting the music speak for itself creates stronger long-term connections than chasing quick trends.

Which hardware, software, and  DAW do you prefer for music production, and what makes them your top choices?

Primarily work in Ableton Live, which is my main DAW for production. I like its flexibility and workflow, which allows me to move quickly from ideas to finished arrangements while staying creative. In terms of hardware, I keep things practical and focused on tools that support my workflow rather than complicate it.

We know you have a background in piano. Do you play any other instruments?

No, piano is the only instrument I played when I was younger. That foundation was enough to give me a basic understanding of melody, harmony, and structure, which still influences how I approach music today.

Do you feel that this gives you an advantage as a producer or performer?

Yes, definitely. Even a basic piano background helps with writing melodies, understanding chord progressions, and arranging tracks more musically. It allows me to approach production with a musical mindset rather than relying purely on loops or presets.

How do you start a song?  With the melody, the drums, or the bassline when building a track?

It depends on the mood I’m aiming for. Sometimes a groove or drum pattern sets the foundation, other times it starts with a bassline or a simple melodic idea. I don’t force a fixed process—I let the track develop naturally.

How do you approach making kick drums and bass stand out in your songs?

Focus on balance and space. The kick and bass need to work together, not fight each other. Proper selection, tuning, and arrangement are more important to me than over-processing. If the foundation is right, everything else sits better in the mix.

How do you go about finding the perfect kickdrum, snare, or clap?

I spend time listening and comparing. The right sound depends on the track’s energy and genre, so I choose samples that already fit the vibe instead of trying to force them with heavy processing.

What techniques do you use to make them stand out in a mix, or to give your kick extra punch?

Subtle EQ, compression, and layering when needed—but always with intention. I prefer small, controlled adjustments rather than extreme processing. Clean, low-end, and clarity are more important than loudness.

What’s one production tip you wish you'd known when you first started producing music?

Less is more. Good sound selection and arrangement will always beat over-processing. Learning when to stop tweaking is just as important as learning new techniques.

How do you decide when a track is “finished”?

A track is finished when it delivers the feeling I originally intended, and nothing feels unnecessary. If changes stop improving the track and start overcomplicating it, that’s when I know it’s done.

What music-producing or DJ advice can you give someone who is trying to break into the EDM scene? 

Be patient and focus on your craft first. It’s easy to get distracted by numbers, trends, and comparisons, but none of that matters if the music isn’t solid. Take the time to really learn your tools, understand your sound, and develop your own identity instead of copying what’s popular at the moment.

Mistakes are part of the process, both in DJing and production, so don’t let them discourage you. Every setback is a lesson if you’re willing to learn from it. Most importantly, stay consistent and honest with yourself. Longevity in this scene comes from passion, persistence, and authenticity, not shortcuts.

How do you feel about the current underground EDM scene?

The underground EDM scene feels alive and constantly evolving. There’s a lot of creativity happening, and many artists are pushing boundaries without worrying too much about mainstream expectations. That freedom is what keeps the underground interesting and essential to the culture.

I see AI as a helpful tool rather than something to fear. Music and technology have always evolved together, and AI is simply part of that progression. When used correctly, it can support creativity, speed up workflows, and help artists focus more on ideas rather than technical limitations. 

Are you concerned with artists who use AI in music production? 

Not really. At the end of the day, AI is only a tool. What matters is the intention and creativity behind the music. AI can’t replace personal experience, taste, or emotion; it can only assist the process.

How about AI used in DJ software, such as the AI-driven “DJ Studio”? 

AI in DJ software can be useful, especially as a support system. But DJing is still about reading the room, making decisions in real time, and creating a connection with the crowd. Technology can help, but it shouldn’t replace the human element.

What’s the biggest challenge for underground DJs & artists today? 

Standing out while staying authentic. There’s a lot of music being released every day, so it’s easy to get lost in the noise. Staying consistent, patient, and true to your sound is probably the biggest challenge and also the biggest test.

Where do you see your Music taking you in 2026 or 2027?

I see myself growing step by step, building momentum, refining my sound, and reaching a wider audience than I have now. Nothing rushed, just steady progress and continuous improvement.

Do you have any concerts lined up for spring and summer 2026?

At the moment, nothing is confirmed yet. Right now, the focus is on music and preparation, and we’ll see what opportunities develop naturally.

Where can I find your music?

My music is available on all major streaming platforms.

Any closing statement?

Thank you to everyone who takes the time to listen and support. Music is a journey, and I’m grateful for every step forward and everyone who joins along the way.